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The Machin Stamp Series Color Guide Release Order By Date
No one knew on that day in late 1965 when sculptor Arnold Machin was awarded the contract
to design new definitive stamps featuring the portrait of Queen Elizabeth II that the resulting image would be reproduced more than 200 billion times and that 50 years
later the stamps would remain popular with mailers, collectors, and the queen herself. Machin was concerned that the photograph retained the depth of the
sculpture and had the right shadows. Attempts to photograph the cast were made with state-of-the-art cameras on railway tracks and multiple bright lights that
could be switched on and off at will. After many such trials were rejected, the final photograph was taken outside on a foggy autumn morning by
a photographer with a black sheet over his head using a wooden Victorian camera. In 1967, the Wilding series was replaced by The Machin series.
he story of the Machin design begins with the story of the Penny Black. That could be said of all postage stamps, but it is particularly true of the Machin.
Arnold Machin strove to recapture the simplicity, elegance and authority of the world's first stamp. The Queen approved the designs in 1966 and in
1967 the first stamps were issued to the public. The design has enjoyed a lengthy life (for a stamp). It has now been in use for 50 years and is still
going strong – an iconic symbol of Britain. Machin stamps are one of the longest running series of stamps in the world and as a result one of the most
studied by philatelists. "The Machin definitive bears the profile of Her Majesty the Queen created by the sculptor Arnold Machin. More than 200
billion stamps have been printed since it was first issued in 1967 making this portrait arguably the most reproduced image of all time." - Royal Mail. Elizabeth
II (Elizabeth Alexandra Mary; 21 April 1926 – 8 September 2022) was Queen of the United Kingdom and other Commonwealth realms from 6 February 1952
until her death in 2022. She was queen regnant of 32 sovereign states during her lifetime, and was head of state of 15 realms at the time of her
death. Her reign of 70 years and 214 days was the longest of any British monarch and the longest verified reign of any female monarch in history.
Arnold Machin’s design is without question the modern day equivalent of the Penny Black. It too has become an icon. Both designs
originated in work for coins and medals and employed the highest craftsmanship of the day, as if they were made to remain untouched by design
trends and fashion. The Machin, like the Penny Black, is timeless. The Machin series of postage stamps is the main
definitive stamp series in the United Kingdom, used since 5 June 1967. From the initial Harrison printings through to the present, there has
always been a wealth of study material for the Machin collector of any level. The fact that printers and printing methods change so frequently
means that collecting Machin stamps remains popular. As is usual with a new printer, such as happened when Enschede, Waddington, Questa and
Walsall were engaged, subtle changes occur, giving rise to new varieties. The latest printer to be awarded considerable printing contracts for
Machins is Cartor. Cartor, however, has given collectors a new strand of Machin types.
It is the second series to figure the image of Elizabeth II, replacing the Wilding series. Designed by Arnold Machin, they consist simply
of the sculpted profile of the Queen and a denomination. After five decades of service, the series has encompassed almost all changes
and innovations in British stamp printing. Concerning the original colours, Machin encouraged the use of a clearer effigy on a single-
coloured background. The 4 pence was given a very dark brown, inspired by the Penny Black and requested by the Queen herself.
From the philatelic point of view, the Machins are far more complex than the simple design might at first suggest, with well over
five thousand varieties of colour, value, ink, gum, phosphor banding, iridescent overprints, perforations, and printing methods.
1990 brought forth the first commemorative adaptation of the Machin design, with the classic William Wyon profile of Queen Victoria, Queen Elizabeth II's
Great-Great Grandmother, appearing behind and to the left of Elizabeth, marking 150 years of British stamps. These are sometimes called
Double Head Machins. 1993 saw the introduction of both self-adhesive stamps and elliptical perforations on the lower vertical sides of the
Machins as a security measure. On the high value stamps, Iriodin ink was used to give them a shiny appearance and ensure the difficulty of
their reproduction by photocopying. The most striking aspect of the Machins is the rainbow of colours, since the designs are all identical.
During the 1970s a third image and background colour format emerged in addition to the existing light image-dark background and the light
image-graded background; the new variation consisted of the image the same colour as the background, with just the shaded detail of the Queen.
On three occasions, postal sources have confirmed that a replacement for the Machin series was proposed by the Post Office, and its successor, the Royal
Mail. However, the Queen herself has subsequently rejected all the proposed designs. The Post Office's Ron Dearing obtained
agreement from the Queen, that she expressed through a letter by her deputy private secretary that "Her Majesty is very content with the Machin image
and thinks that a work of real quality is required if this is to be replaced." In June 1985, a new working group proposed a change to the
original Machin stamp design. Arnold Machin refused any changes by anyone except himself and didn't appreciate being approached after
the proposed changes were finalized.
Another attempt to alter the design was proposed on the occasion of the 150th anniversary of the Penny Black in 1990. The Queen's decision
not to agree to any changes swiftly ended all proposals. On 5 June 2017, the much collected Machin series celebrated its 50th year, or Golden
Anniversary. In 1992, the British colony of Hong Kong, made a definitive series featuring Queen Elizabeth II and was an adapted version
of the British Machin stamp.
In 1969, the pictorial high values showing castles were replaced by larger, engraved stamps with the Machin design. Since individual values
could no longer be easily identified by design alone, each value currently on sale had to have a colour that was distinguishable from all the others.
As a result, a wide range of colours have appeared. British currency was decimalized in 1971. The letter "p" was used to
indicate decimal pence rather than the "d" used for the previous Sterling pence issues. Newly designed narrower numerals began to
appear in 1983. These were required because the larger values (eg. 20½) took up too much room on the stamp.
Many values have been withdrawn and then re-issued in a different colour years
after, as postal rates dictated their need. The 20p holds the record with four different colours. In 1989, non-denominated Machins
appeared. These simply carried "1st" or "2nd" indicators, denoting the class of service that was paid for. A special variation of the Machin
design appeared in 1990 to celebrate the 150th anniversary of the first British stamps. These consisted of a design including Queen Victoria (from
the Penny Black stamp of 1840) and the familiar Machin-designed Queen Elizabeth II. In 1993, syncopated perforations appeared. Two
large, elliptical perforations, one on each side, were added to the Machins. These were to deter counterfeiting and have become standard on all
British definitives. In 1997, the Machin portrait was modified to take advantage of computerization of the printing process. The new version is much
sharper with well-defined details. In comparison, the original version appears blurred. A completely new set of Machins was issued during 1997
with the redrawn portrait. Arnold Machin stated, “The longevity of the Machins, Sir Arnold once speculated, was due to the fact that the profile portrait
was derived not from a photograph of the Queen but from a photograph of a delicately lit sculpture, whose subtle highlights and shadows produce a timeless
cameo effect. "Achieving that subtlety was not easy." as Sir Arnold recalled, when studio lighting failed to produce the desired effect, the sculpture was
taken outside on a foggy day and photographed in a parking lot. Though the design is simple, the Machin definitives are a complicated, fascinating
series for stamp collectors. The Machins have undergone numerous changes through the years, and offer many challenges for the collector who is
not faint of heart. The complete list of all variations is vast and outside the scope of this webpage. Some of these variations include: Denomination -
Color - Size - Perforation - Printing Method - Phosphor Tagging - Value Font - Head Type - and Paper.

Sterling Currency Issues & Colors 1967-1969
Scott# MH1-MH21
Decimal Currency Issues & Colors 1970-1995
Scott# MH22-MH189
Victoria & Elizabeth II Issues & Colors 1990-2000
Syncopated Scott# MH190-MH198A
Decimal Currency Issues & Colors 1993-1997
Syncopated Scott# MH199-MH243
Redrawn Decimal Currency Issues & Colors 1996-2010
Syncopated Scott# MH245-MH336
Redrawn Decimal Currency Issues & Colors 2004-2010
Syncopated Scott# MH344-MH382
Security Decimal Currency Issues & Colors 2009-2015
Syncopated - Pattern Background Lettering - Slits Scott# MH383-MH457
Machin Souvenir Sheets

John Hedgecoe Photos: Even though Machin was already working on his effigy of the Queen, the SAC (Stamp Advisory Committee) requested that new photos be taken. She
agreed to this and on the 22nd of June 1966 John Hedgecoe visited the palace to photograph Her Majesty. The images taken feature the Queen wearing the Diadem, rather
than the Tiara. This replicates the original Wilding Definitive and what Queen Victoria wears in the Penny Black.







